Wisdom from the Epson Print Academy in Vancouver
Tuesday, May 26th, 2009This weekend, I joined hundreds of avid photographers at the brand new Vancouver Convention Centre for the Espon Print Academy. The seminar, led by the industry’s finest, covered the latest developments digital darkrooms, lighting techniques, colour management, and exhibition-quality printing. Split between two paths, the Epson Print Academy was tailored to fit the needs of all attending, from the advanced amateurs to seasoned professionals.
Leading Track One was Jack Reznicki, current Chairman of the Board and former President of Professional Photographers of America (PPA). As one of the field’s leading experts, Jack was a real pleasure to watch as he stepped us through his process, from capture through to printing.
While, I can’t spill all the beans, I do want to share some of my favourite bits of wisdom from the seminar:
- “You’re not photographing a subject – you’re photographing the light off a subject.” Six months ago, I started putting heavier emphasis on light, and my photos have seen a drastic improvement in my mood, atmosphere, and even composition since. Light transforms a subject; think of when you hold a flashlight under your chin. No matter how great your subject is, without proper light, your photos can’t meet their full potential.
- “Use your histogram.” Starting off, I used to overexpose everything (not that I knew how to stop it). While a shot may look good on your LCD, you’ve probably come home to photos ruined by big patches of white. When shooting, turn on your histogram, and see if your bars are clustering at the far-right edge. Your goal is to expose as much as you can without hitting that border; as soon as you do, that data is lost forever. Similarly, if you underexpose, any data caught against the far-left wall will be lost forever as black.
- “When working in anything other than RAW, make sure you pay attention to your colour space.” Most of us have seen sRGB in our workflows, but if you’re like me, you probably didn’t know you’re losing colours using it. sRGB is a ‘colour space‘, a palette of colours used to display images. Above it are two larger palettes, Adobe RGB and ProPhoto RGB. For web applications, sRGB does just fine, but when it comes to print, stick to ProPhoto RGB for the truest representations. When it comes to DSLRs, you’ll find that you usually have an option to choose between sRGB and Adobe RGB. However, that doesn’t mean you’re losing colours. So long as you’re shooting in RAW, you’re able to capture the full spectrum of visible light – even colours beyond ProPhoto RGB.
While things ran a bit redundant (we watched the same printing dialogue half a dozen times), I left the seminar with lots of new tricks, new contacts, and best of all – free food. (Chicken sandwich FTW!) For budding photographers looking to brush up their skills and get an introduction to exhibition-quality printing straight out of home, Track One of the Espon Print Academy comes highly recommended. As for the professionals out there, I’ll see you in Track Two next year!




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